but unresolved questions remain, the feeling that he is still on a journey over which he has long lost control. He returns again and again to the moment when he farewelled his loved ones in Warsaw and fled towards the east.
Somehow it was too hasty. There was not time to stop, to register the last image of his mother, the last words of his father, the final sight of familiar streets. How was he to know that it would be forever? This is what has nagged at him for over fifty years. His life has been one long journey away from certainty.
And there is something else. Call it a sense of guilt, perhaps. Call it paradox, an uneasy admission; but there were moments of unexpected elation as he journeyed away from Vilna, moments when he felt an intoxicating surge of freedom. Never was this feeling stronger than on the day he first glimpsed the land of Madame Butterfly.
On the following morning, at dawn, he was escorted from the freighter onto the wharf and through the deserted streets of Tsuruga. They walked, a party of three hundred or more, through the sleeping town. They walked along narrow streets lined with rows of wooden houses. Miniature bridges looped over cement ditches to the entrance of each dwelling. A lone woman swept the street in front of a store. Two fishermen trudged to the beach front, their nets draped over their backs. Behind the town loomed hills over which the sun had yet to rise.
Their lives were in the hands of customs officers and railwaymen, of Japanese authorities and Jewish relief workers who directed them through the gates of the station. They marched to the end of a platform and, exactly on time, to the very minute, the train arrived.
The doors opened. The refugees filed in and sat down, each one on a seat of their own. This is what struck Zalman, the efficiency, the precision, the politeness; and cleanliness. More than ever he felt as though he was moving in a dream.
The train crawled over mountain passes. Zalman caught glimpses of cascading waterfalls and gorges. He saw pines bent back by centuries of wind. He saw fields criss-crossed with flooded paddies. Peasants stood in the fields, dressed in high boots, colourful blouses and pyjama-style pants. He saw women with white headscarves and sashes tied around their waists. He glimpsed clusters of cottages, their tiled roofs cast in mauve and turquoise tints. He saw the ruins of a castle, the lush gardens of a villa. He caught sight of wooden temples, and pilgrims gathered about a shrine.
The train approached industrial complexes smudged with smoke. Open fields gave way to city thoroughfares and milling crowds. The train slowed to a halt, the doors parted. The refugees filed out. They were met on the platform by relief workers who escorted them out of the station and through the streets of Kobe.
They walked under a winter sun, stateless men and women in transit. They walked exposed to its glare, unaccustomed to the light, their eyes blinking. They walked in their crumpled clothes, the shabby suits they had worn since they left Vilna.
Among them walked yeshiva boys in black pants, white shirts and narrow-brimmed hats, clutching prayer books wrapped in embroidered bags. Beside them walked rabbis clad in black satin coats, and a scattering of children, the girls in head kerchiefs and frayed dresses, the boys in knickerbockers and worn jackets. The children moved hand-in-hand with selfappointed guardians, or with their mothers and fathers, those numbered few with families intact.
Mostly they were single men who, like Zalman, could not erase the faces of dear ones. These were the images that plagued their minds as they ascended a steep incline. Below them, coming into view, was yet another harbour. The vista expanded as they climbed. The harbour was crowded with gunboats and freighters.
The bay glowed under a sheen of silver. The strip of foreshore extended inland, several hundred metres flat, before ascending into the hills up which they trudged. They
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