happen?â
Paul allows himself a smile. Ellis hasnât entirely lost his serious expression, but he is beginning to look more like a seven-year-old again. âGo get yourself a good one,â he says.
âStarted clearing things up, have you?â a womanâs voice calls once Ellis has run off. Paul looks up to see Virginia Eberhardt looking at him from her porch next door.
âThought we might as well get started,â Paul says, walking away from the fire to the hedge that divides the Eberhardtâs yard from theirs. Virginia is still in her bathrobe. Paul looks toward the fire; Ellis is back, crouching there and peering in at whatever object he has found to throw in it. Virginia has exactly the same cleaning job ahead of her, washing mud off her house and clearing her yard of debris, but newly widowed and childless as she is, Paul has no idea who can help her. He realizes his error then and feels his stomach drop. If he had been killed downtown in the storm instead of Henry Eberhardt, Henry would have been cleaning up in Maeâs yard before he touched his own. Itâs too late now, the first fire was lit in his own driveway, not Virginiaâs. If he makes her the offer, it will be an afterthought, born out of guilt and not selfless duty to his neighbor.
âMight as well,â Virginia says. âItâs quite a job, and I donât suppose you have much else to do.â
âEllis wanted to, you see,â Paul hears himself saying. âHe built the fire almost by himself.â Paulâs eyes dart over to Ellis and then back to Virginia.
âDid he, now? Well, Iâll be.â
Itâs over almost as soon as itâs started, ending with Virginia drifting back inside her house. Paul stands there by the hedge, unnerved by his error and by the fact that the very comment heâd feared had come, and come immediately. There is a small, cold feeling growing in his gut that feels like fear. He knows the feeling; he felt it once before, the time heâd wandered away from the farm as a child. He had been about five, the same age Little Homer is now. All heâd meant to do was walk for a while on the county road, then turn and come back again, just long enough to see if it felt different to do it alone than it had the times he had done it with Johnny. Heâd walked a long ways and, when heâd turned and could no longer see the farm buildings but only the towering corn on either side of the road, he had believed himself to be lost. Heâd stood there not knowing what to do, not thinking clearly enough to realize that heâd never even turned off the county road, feeling that new feeling in his belly when heâd heard his name called and seen his mother hurrying along the road toward him. Heâd remembered that moment since, and the way that cold feeling began to dissolve the moment heâd seen her.
Theyâd gone out searching for him when theyâd realized he was gone, his father and mother setting out in opposite directions, praying that he had stayed on the road and not strayed into the corn. Once they were all home again, his parents were serious but hardly scolded him at all, which had the inadvertent effect of frightening him more than if theyâd simply punished him. They had agreed not to let on what a scare heâd given them and had also understood that they couldnât simply forbid a curious boy to go off wandering alone again. Theyâd told him instead to stop more often when he was alone, to look up and make certain he knew where he was before he went any further. Paul had taken them literally out of remorse as a child and had thereafter kept faithful track of his whereabouts, and by the time heâd reached adulthood, the incident had turned to metaphor; an illustration that he could overcome indecision or uncertainty by turning, figuratively now, to see where he stood in relation to where he had been.
Now it seems
Elizabeth Haynes
Joel Shepherd
Carly Syms
Rachel Vincent
Zenina Masters
Karen Kingsbury
Diane Hall
Ella Norris
Kevin J. Anderson, Rebecca Moesta, June Scobee Rodgers
Vicki Grant