Flavia de Luce 3 - A Red Herring Without Mustard by Alan Bradley Page B

been tethered.
    Once, when I had asked Father how Buckshaw looked from the air, he had gone all tight around the temples.
    “Ask your aunt Felicity,” he’d said gruffly. “She’s flown.”
    I’d made a mental note to do so.
    From the Visto an overgrown path ran south, crossing here and there long-abandoned lawns and hedges, which gave way eventually to copses and scrub. I followed the narrow track, and soon arrived at the Palings.
    The Gypsy’s caravan was as I had left it, although the ground bore signs of many “hobnail boots,” as Feely had called them.
    Why was I drawn back here? I wondered. Was it because the Gypsy had been under my protection? I had, after all, offered her sanctuary in the Palings and she had accepted. If amends were to be made, I would make them on my own—not because I was made to do so by a sense of shame.
    Gry was grazing contentedly near the elders at the far side of the grove. Someone had brought him back to the Palings. They had even thought to bring a bale of fresh hay to the clearing, and he was making short work of it. He looked up at me without curiosity and then went back to his food.
    “Who’s a good boy, then?” I asked him, realizing, even as I said it, that these were words to be used in addressing a parrot.
    “Good Gry,” I said. “Splendid horse.”
    Gry paid not the slightest attention.
    Something fastened to one of the tree trunks near the bridge caught my eye: a white wooden panel about six feet from the ground. I walked round the other side for a closer look.
    Police Investigation—No Admittance by Order—Hinley Constabulary
    The signboard was facing east—away from Buckshaw. Obviously it was meant to deter those hordes of the idly curious who flock to places where blood has been shed like crows to a winter oak.
    I was, after all, on my own property. I could hardly be trespassing. Besides, I could always claim that I hadn’t seen the thing.
    I put a foot carefully onto one of the caravan’s shafts and, waving my arms for balance like an aerialist, made my way slowly, heel to toe, up the slope to the driving board. To my surprise, the door had been replaced.
    I paused to prepare myself—took a deep breath—then opened the door and stepped inside.
    The blood had been cleaned up—I saw that at once. The floor was newly scrubbed and the sharp clean smell of Sunlight soap still hung in the air.
    It wasn’t dark inside the caravan, but neither was it light. I took a step towards the rear and froze in my tracks.
    Someone was lying on the bed!
    Suddenly my heart was pounding in a frenzy, and my eyes felt as if they were about to pop out of their sockets. I hardly dared breathe.
    In the gloom of the drawn curtains I could see that it was a woman—no, not a woman—a girl. A few years older than me, perhaps. Her hair was raven black, her complexion tawny, and she was wrapped in a shapeless garment of black crepe.
    As I stood motionless, staring at her face, her dark eyes opened slowly—and met mine.
    With a quick, powerful spring she leapt from the bed, snatching something from a shelf, and I suddenly found myself wedged sharply against the wall, my arm twisted behind my back and a knife at my throat.
    “Let go! You’re hurting me!” I managed to squeeze the words out through the pain.
    “Who are you? What are you doing here?” she hissed. “Tell me before I slit your gullet.”
    I could feel the knife’s blade against my windpipe.
    “Flavia de Luce,” I gasped.
    Damn it all! I was beginning to cry.
    I caught a glimpse of myself in the mirror: her arm beneath my chin … my bulging eyes … the knife—the knife!
    “That’s a butter knife,” I croaked in desperation.
    It was one of those moments that might later seem amusing, but it wasn’t now. I was trembling with fear and anger.
    I felt my head jerk as she pulled back to look at the blade, and then I was being pushed away.
    “Get out of here,” she said roughly. “Get away—now—before I