having a field day with their cockamamie theories.”
“Are they jumping the shark?” Herb asks innocently.
The Grouch doesn’t respond, already walking away from Herb’s hospital bed. Herb looks for nurses, then discreetly picks up his cell phone, which isn’t allowed in the ER. He can’t reach Jack at either number.
Herb knows his partner well. If Jack’s phones are off, that means something really serious is happening, something so serious it is making Jack neglect her responsibility here. Though Herb made up the story about Jack’s mother failing mentally, he knows she has some health problems. Could that be what’s taking Jack so long?
Herb tries the two hospitals nearest to Jack’s suburban home. Neither has admitted Mary Streng, or any elderly Jane Doe. He calls Dispatch, has them check suburban 911 calls. While he’s on hold, he digs into his pocket stock and eats a power bar. For energy. He considers drinking the bag full of bran-fortified breakfast shake, but dismisses the idea. Dispatch comes back, informs Herb there haven’t been any calls from Jack’s house.
The Novocain numbness makes it difficult to put his pants back on because he can’t feel if his leg is in the hole, and he can’t really see it either, thanks to a belly forged by de cades of poor dietary choices. But he manages, and then he straps on his empty holster – IA took his gun to rule out friendly fire from the crime scene – and puts his jacket on.
Then Sergeant Herb Benedict heads to the suburbs to find his partner.
9:09 P.M.
MUNCHEL
J AMES MICHAEL MUNCHEL takes another sip of Gatorade from his canteen, wipes the sweat off his eye, and peers through the scope again. So far, he’s been the lucky one. He has the kitchen covered, and that’s where most of the action has taken place.
From what he’s figured out, the tall bitch with the messed-up face is causing all sorts of problems for the female cop, the guy next to the refrigerator is stuck there because he has some kind of James Bond mechanical hand that won’t let go, and there’s a cat in the house in serious need of a distemper shot.
Munchel could have ended it for all of them, at any time. But he didn’t. He made sure his shots came close without hitting any of the targets. Scaring them, but not wounding them. He’s having too much fun for this to end.
That tight-ass Swanson is looking to kill everyone, then high tail it out of here, quick and dirty. But this should be savored. There’s a real-life drama going on inside the cop’s house. It’s far more interesting than Munchel’s everyday life, punching a clock at the English muffin factory. Munchel is the gluer there. His job, for eight mind-numbing hours from ten p.m. until six a.m., five days a week, is to add glue chips to the melter, which is then picked up by the roller, which paints glue on the flat cardboard blanks prior to them being folded into muffin packages. His work is literally about as much fun as watching glue dry.
He’s going to miss his shift to night. Maybe he’ll even be fired. But he doesn’t care. Right now he feels like he’s watching a movie. No, like he’s starring in a movie. Starring in it
and
directing it. He decides who dies first, who dies last. He has the power.
“Did you hit anyone yet?”
Swanson, through the radio.
“Negative,”
Pessolano answers.
Munchel hits the talk button. “I came close. They’re hiding. Don’t have a shot.”
He squints through the scope. The chick cop is right in his crosshairs. All he needs to do is pull the trigger, and it’s game over.
But where’s the challenge in that?
That gives Munchel an idea. A way to make this even more interesting, and to get the same adrenaline rush he got in Ravenswood. But he needs to get back to Pessolano’s pickup truck, which is parked in the woods half a mile away.
“I gotta take a leak,” he tells the guys. “I’ll be back in a minute.”
Then Munchel stands up, stretches, and
“Are they jumping the shark?” Herb asks innocently.
The Grouch doesn’t respond, already walking away from Herb’s hospital bed. Herb looks for nurses, then discreetly picks up his cell phone, which isn’t allowed in the ER. He can’t reach Jack at either number.
Herb knows his partner well. If Jack’s phones are off, that means something really serious is happening, something so serious it is making Jack neglect her responsibility here. Though Herb made up the story about Jack’s mother failing mentally, he knows she has some health problems. Could that be what’s taking Jack so long?
Herb tries the two hospitals nearest to Jack’s suburban home. Neither has admitted Mary Streng, or any elderly Jane Doe. He calls Dispatch, has them check suburban 911 calls. While he’s on hold, he digs into his pocket stock and eats a power bar. For energy. He considers drinking the bag full of bran-fortified breakfast shake, but dismisses the idea. Dispatch comes back, informs Herb there haven’t been any calls from Jack’s house.
The Novocain numbness makes it difficult to put his pants back on because he can’t feel if his leg is in the hole, and he can’t really see it either, thanks to a belly forged by de cades of poor dietary choices. But he manages, and then he straps on his empty holster – IA took his gun to rule out friendly fire from the crime scene – and puts his jacket on.
Then Sergeant Herb Benedict heads to the suburbs to find his partner.
9:09 P.M.
MUNCHEL
J AMES MICHAEL MUNCHEL takes another sip of Gatorade from his canteen, wipes the sweat off his eye, and peers through the scope again. So far, he’s been the lucky one. He has the kitchen covered, and that’s where most of the action has taken place.
From what he’s figured out, the tall bitch with the messed-up face is causing all sorts of problems for the female cop, the guy next to the refrigerator is stuck there because he has some kind of James Bond mechanical hand that won’t let go, and there’s a cat in the house in serious need of a distemper shot.
Munchel could have ended it for all of them, at any time. But he didn’t. He made sure his shots came close without hitting any of the targets. Scaring them, but not wounding them. He’s having too much fun for this to end.
That tight-ass Swanson is looking to kill everyone, then high tail it out of here, quick and dirty. But this should be savored. There’s a real-life drama going on inside the cop’s house. It’s far more interesting than Munchel’s everyday life, punching a clock at the English muffin factory. Munchel is the gluer there. His job, for eight mind-numbing hours from ten p.m. until six a.m., five days a week, is to add glue chips to the melter, which is then picked up by the roller, which paints glue on the flat cardboard blanks prior to them being folded into muffin packages. His work is literally about as much fun as watching glue dry.
He’s going to miss his shift to night. Maybe he’ll even be fired. But he doesn’t care. Right now he feels like he’s watching a movie. No, like he’s starring in a movie. Starring in it
and
directing it. He decides who dies first, who dies last. He has the power.
“Did you hit anyone yet?”
Swanson, through the radio.
“Negative,”
Pessolano answers.
Munchel hits the talk button. “I came close. They’re hiding. Don’t have a shot.”
He squints through the scope. The chick cop is right in his crosshairs. All he needs to do is pull the trigger, and it’s game over.
But where’s the challenge in that?
That gives Munchel an idea. A way to make this even more interesting, and to get the same adrenaline rush he got in Ravenswood. But he needs to get back to Pessolano’s pickup truck, which is parked in the woods half a mile away.
“I gotta take a leak,” he tells the guys. “I’ll be back in a minute.”
Then Munchel stands up, stretches, and
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