few minutes after I told her whose child I was, was noticeably improved after she swallowed the little brown pellets, although I now think it may have been more because she was just too high to be a nuisance to anyone. My mother used to tell me she was taking her medicine, but I heard enough about her
taryak
, “opium” in Farsi, to know better.
My father’s father, who died quite young of a heart attack when I was in first grade abroad, was an opium user of some repute in Ardakan, the provincial village he was from: the lengthy afternoon sessions at his
bagh
, or “garden,” as grand homes (which are presumed to have extensive gardens) are known in the provinces, were attended by village notables who, like him, were landowners not in need of a day job, I later discovered. But people of my generation stayed away from opium or, if they indulged, preferred to keep it private lest they be viewed by their ganja-smoking friends as hopelessly square. The Islamic Revolution, which inverted class distinctions and frowned upon anything Western, changed things a bit when it inadvertently caused a resurgence in the use of opium as a recreational activity, perhaps because of the ban on alcohol and the ready availability of opium (although illegal) as a substitute, but also perhaps because the old-fashioned, and particularly
Iranian
, customs were now in vogue. Drug use in general, though, has escalated dramatically since the revolution first intentionally created a modern republic without bars, pubs, or real public entertainment, and unintentionally a birthrate that has produced far more employable youths than the economy can provide jobs for. And although opium tops the list in terms of favored drugs, heroin, crack, and even crystal meth, known as
sheesheh
, or “glass,” are becoming commonplace among the working and middle classes. According to the almost boastful headline in an issue of the English-language daily
Iran News
during my stay in 2005, “Iranians hold the 1st spot among world countries regarding narcotics consumption. Moreover, 4–6% of Iranians are drug addicts.” Yes, “moreover,” although most Iranian experts put the figure as high as 10 percent and some even at 15 percent and higher.
Shir’e is the traditionalist’s hard drug, not too dissimilar from the heroin preferred in the West. Smoking it is a labor-intensive process, though: a small homemade paraffin burner is set on the floor, and the shir’e, a brown paste the color of a Tootsie Roll, is carefully kneaded onto the tip of a homemade pipe that looks something like an elongated kazoo. (Regular opium smokers often use beautiful pipes, sometimes made to the owner’s specifications, and handsome tongs, usually in pure silver, to lift white-hot charcoal briquettes from extravagantly decorated ash pits to their pipes.) Lying on the floor, one smokes shir’e upside down: unless you’re an expert, you need an assistant to guide the inverted pipe to the open flame. One puff and your head starts floating, pain now an adversary that appears vulnerable to conquest; two or three puffs and you experience a high that is serenely beautiful: problems fade completely away, anxiety and pain surrender, and nothing, you think, can take away the beauty. Not even a full-scale invasion by the U.S. military.
When it was my turn at the pipe, I lay down on the carpet and rested my head on a dirty pillow. The voiceless man painstakingly prepared the makeshift pipe by kneading and twisting a thick paste on its tip over and over, softening the shir’e by bringing it close to the flame and then quickly pulling it away several times. A gentle prod was my signal that the pipe was ready: I drew the smoke in short inhales until it completely filled my lungs, and then exhaled slowly. The cooler had been switched off to avoid any twentieth-century interference with the purity of the occasion, and although the heat in the room was now the equivalent of a turned-up sauna, I
taryak
, “opium” in Farsi, to know better.
My father’s father, who died quite young of a heart attack when I was in first grade abroad, was an opium user of some repute in Ardakan, the provincial village he was from: the lengthy afternoon sessions at his
bagh
, or “garden,” as grand homes (which are presumed to have extensive gardens) are known in the provinces, were attended by village notables who, like him, were landowners not in need of a day job, I later discovered. But people of my generation stayed away from opium or, if they indulged, preferred to keep it private lest they be viewed by their ganja-smoking friends as hopelessly square. The Islamic Revolution, which inverted class distinctions and frowned upon anything Western, changed things a bit when it inadvertently caused a resurgence in the use of opium as a recreational activity, perhaps because of the ban on alcohol and the ready availability of opium (although illegal) as a substitute, but also perhaps because the old-fashioned, and particularly
Iranian
, customs were now in vogue. Drug use in general, though, has escalated dramatically since the revolution first intentionally created a modern republic without bars, pubs, or real public entertainment, and unintentionally a birthrate that has produced far more employable youths than the economy can provide jobs for. And although opium tops the list in terms of favored drugs, heroin, crack, and even crystal meth, known as
sheesheh
, or “glass,” are becoming commonplace among the working and middle classes. According to the almost boastful headline in an issue of the English-language daily
Iran News
during my stay in 2005, “Iranians hold the 1st spot among world countries regarding narcotics consumption. Moreover, 4–6% of Iranians are drug addicts.” Yes, “moreover,” although most Iranian experts put the figure as high as 10 percent and some even at 15 percent and higher.
Shir’e is the traditionalist’s hard drug, not too dissimilar from the heroin preferred in the West. Smoking it is a labor-intensive process, though: a small homemade paraffin burner is set on the floor, and the shir’e, a brown paste the color of a Tootsie Roll, is carefully kneaded onto the tip of a homemade pipe that looks something like an elongated kazoo. (Regular opium smokers often use beautiful pipes, sometimes made to the owner’s specifications, and handsome tongs, usually in pure silver, to lift white-hot charcoal briquettes from extravagantly decorated ash pits to their pipes.) Lying on the floor, one smokes shir’e upside down: unless you’re an expert, you need an assistant to guide the inverted pipe to the open flame. One puff and your head starts floating, pain now an adversary that appears vulnerable to conquest; two or three puffs and you experience a high that is serenely beautiful: problems fade completely away, anxiety and pain surrender, and nothing, you think, can take away the beauty. Not even a full-scale invasion by the U.S. military.
When it was my turn at the pipe, I lay down on the carpet and rested my head on a dirty pillow. The voiceless man painstakingly prepared the makeshift pipe by kneading and twisting a thick paste on its tip over and over, softening the shir’e by bringing it close to the flame and then quickly pulling it away several times. A gentle prod was my signal that the pipe was ready: I drew the smoke in short inhales until it completely filled my lungs, and then exhaled slowly. The cooler had been switched off to avoid any twentieth-century interference with the purity of the occasion, and although the heat in the room was now the equivalent of a turned-up sauna, I
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