Adlemare looks down on us through his glasses. He wears a light blue, short-sleeved button-down shirt with red suspenders that hold up brown trousers, and I wonder, out of everything that you could wear in public, why a purple polka-dot bow tie?
âMr. Hart. Thank you for joining us. These must be your cousins fromâ¦?â
âItaly.â
âFlorida.â
âIreland.â
âAh, I see.â
Kurt clears his throat. âWe travel constantly.â
âNo one place is home! Lovely. Welcome, welcome.â
âThank you, sir,â my cousins say in unison.
Some people snicker. The smells of everyone overwhelm me. Their interest smells of burning sugar.
We take the row in the back, where the Goth-punk-stoner kids sit. Homeroom gets less and less crowded toward the end of the year. I stare at the scratches on my desk and admire the announcements Mr. Adlemare has written on the board. Notice the way everyone gives us a long once-over. Anything not to look at Layla, sitting there and saving me a seat like always. I can feel her eyes on me, but I wonât look.
Thalia takes out a notebook and pen, and I watch her draw Mr. Adlemareâs face. Sheâs quite good actually. I draw a mustache on her portrait of Mr. Adlemare, and she bursts into her bell-chime giggles. Kurt shakes his head, disapproving.
Someone sighs angrily, and I know itâs Layla. But this is the only way I know sheâll be safe. I canât drag her into this freakish sideshow. This past week has been the longest weâve ever really been apart. Itâs just, what am I going to say? Hey, guess what? Iâm a merman now. I just have to keep ignoring her, the best friend Iâve had my whole life. The only girl who gets it, gets me. Yeah, Iâm a good guy. But right now, looking at her as she gives up trying to catch my attention, I wonder if I have enough strength to stay away from her, even though not doing that could kill her.
When I look at the clock again, itâs already time to leave. Sheâs the first one out the door, two seconds before the bell even rings.
Yo, Hart!â Angeloâs voice carries even from down the hall. âBall drill!â He does this every time he thinks youâre not looking. Iâm the only one who ever catches the ball. Itâs in the air before he finishes his sentence. I can catch it; I know I can. I extend my hand up and to the left, but so does Kurt. The basketball is in his hands even before I hit the wall of lockers.
âI donât remember your name being Hart .â I push myself up right away.
The guys walk over to us. I stretch out my shoulder. Kurt throws the ball back at him. Thalia watches them carefully. They really need to stop acting like the Mermaid Brigade.
âSo these are your cousins. Where are you from again?â
Kurt looks to me and I answer, âCanada.â
âArenât Canadians moreâ?â Bertie looks like heâs trying to do x 2 + (a + b)x + ab = (x + a)(x + b).
âMore what?â Kurt asks.
âPale?â And he still hasnât solved it.
âWe travel a lot,â Thalia says, winking in their direction. I think she likes being a teenage girl more than Kurt likes being a teenage boy.
The effect is instant, though. The boys relax their posture and are all smiles. Angelo lets his basketball drop, and it bounces across the floor, causing three freshmen to trip over it.
Bertie canât seem to decide which foot he wants to shift his weight on. âMan, where have you been? You didnât show at the Wreck and you didnât show yesterday. The team is worried about you. They think youâre seeing a shrink or something. And that guy? You know? The reporter? Nikkyâs dad? Heâs writing that youâre going to be shipped into one of those psych facilities. Like in the movies?
âOh. Check this.â He turns around to show us the new design etched into his
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