What You Make It

What You Make It by Michael Marshall Smith Page B

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Authors: Michael Marshall Smith
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cemeteries would be as good a place as any.
    But they
didn't
live anywhere, and after another punishing swallow of my salty margarita, I started to put Rita-May right on this fact. She shifted herself comfortably against my chest, and listened to me rant.
    We were in Jimmy Buffett's bar on Decatur, and the evening was developing nicely. At nine o'clock I'd been there by myself, sitting at the bar and trying to work out how many margaritas I'd drunk. The fact that I was counting shows what a sad individual I am. The further fact that I couldn't seem to count properly demonstrates that on that particular evening I was an extremely
drunk
sad individual too. And I mean, yes, Margaritaville is kind of a tourist trap, and I could have been sitting somewhere altogether heavier and more authentic across the street. But I'd done that the previous two nights, and besides, I liked Buffett's bar. I was, after all, a tourist. You didn't feel in any danger of being killed in his place, which I regard as a plus. They only played Jimmy Buffett on the juke box, not surprisingly, so I didn't have to worry that my evening was suddenly going to be shattered by something horrible from the post-melodic school of popular music. Say what you like about Jimmy Buffett, he's seldom hard to listen to. Finally, the barman had this gloopy eye thing, which felt pleasingly disgusting and stuck to the wall when you threw it, so that was kind of neat.
    I was having a perfectly good time, in other words. A group of people from the software convention I was attending were due to be meeting somewhere on Bourbon at ten, but I was beginning to think I might skip it. After only two days my tolerance for jokes about Bill Gates was hovering around the zero mark. As an Apple Macintosh developer, they weren't actually that funny anyway.
    So. There I was, fairly confident that I'd had around eight margaritas and beginning to get heartburn from all the salt, when a woman walked in. She was in her mid-thirties, I guessed, the age where things are just beginning to fade around the edges but don't look too bad for all that. I hope they don't, anyway: I'm approaching that age myself and my things are already fading fast. She sat on a stool at the corner of the bar, and signalled to the barman with a regular's upward nod of the head. A minute later a margarita was set down in front of her, and I judged from the colour that it was the same variety I was drinking. It was called a Golden something or other, and had the effect of gradually replacing your brain with a sour-tasting sand which shifted sluggishly when you moved your head.
    No big deal. I noticed her, then got back to desultory conversation with the other barman. He'd visited London at some point, or wanted to – I never really understood which. He waseither asking me what London was like, or telling me; I was either listening, or telling him. I can't remember, and probably didn't know at the time. At that stage in the evening my responses would have been about the same either way. I eventually noticed that the band had stopped playing, apparently for the night. That meant I could leave the bar and go sit at one of the tables. The band had been okay, but very loud, and without wishing them any personal enmity I was glad they had gone. Now that I'd noticed, I realized they must have been gone for a while. An entire Jimmy Buffett CD had played in the interval.
    I lurched sedately over to a table, humming ‘The Great Filling Station Holdup’ quietly and inaccurately, and reminding myself that it was only about twenty after nine. If I wanted to meet up with the others without being the evening's comedy drunk, I needed to slow down. I needed to have not had about the last four drinks, in fact, but that would have involved tangling with the space-time continuum to a degree I felt unequal to. Slowing down would have to suffice.
    It was as I was just starting the next drink that the evening took an interesting turn. Someone

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