combat, including references to maps and separate essays about everything from what it’s like to have flat feet from the long marches while carrying heavy equipment (“Sheer torture. My arches were gone. I found a podiatrist who sold me a pair of steel arch supports.”) to a probing query about motivations for war (“What are we fighting for? Very few men in combat mention patriotic motives. Thoughts of making it through the war and going home are foremost in their minds.”).
The two journals, together with his drawings, leave one of the most complete eyewitness accounts of life in Easy Company. What follows is the story of Burton “Pat” Christenson.
Off the Roof
Burton “Pat” Christenson was born in Oakland, California, on August 24, 1922. Few people ever called him Burton. Most of his friends either called him Pat, a nickname he gave himself, or Chris, the shortened form of his last name. His middle name was Paul, so Pat may have been a derivative of that. Family members knew him as Pat. Sometimes he signed letters as Chris.
As a child, he was driven to create. He never studied art professionally except for a few classes during one semester of college, and never worked at art as his career, but it remained a lifelong passion. The gifted boy could draw, play piano, and sing—talents he nurtured his whole life. Well into his seventies, he invited fellow Easy Company members over to his house, including Bill Guarnere, Bob Rader, Tony Garcia, Bill Wingett, Woodrow Robbins, and Mike Ranney, and “they chased the ghosts of the war together,” said his son, Chris. During these impromptu get-togethers, Pat played the piano, the men sang songs from the 1940s, and they drank. “The men were never shy about drinking,” Chris added.
While in the service, Pat and fellow Easy Company members PFC Carl Sawosko and PFC Coburn Johnson sang together with a guitar. Johnson was wounded during the Normandy campaign and sent home. Sawosko was shot in the head in Bastogne and died. Pat described losing his friend Carl as one of his greatest losses.
Pat’s nephew, Gary Van Linge, thirteen years younger, lived just down the street from Pat. “He was always my hero,” said Gary. Before the war, Pat took up archery after watching the movie Robin Hood starring Errol Flynn. Gary contracted scarlet fever at age seven and was quite sick for some time. The young boy had a thick book about Robin Hood, and Uncle Pat frequently came to the house and read to the child. “I’ve been involved in archery ever since,” Gary said.
Pat was a creative teen. He made airplane models out of balsa wood kits. Paper was stretched over the wood and glued, then water flicked on the paper to tighten it up. Pat was a master at it, a real artist, noted Gary. The models flew with propellers and rubber bands, and if Pat made a model that wasn’t perfect, he lit it on fire and flew it that way.
Pat could be adventuresome. At age thirteen he jumped off the roof of his house with a large beach umbrella to see if it would break his fall. “I don’t know how much it actually slowed his descent,” Gary said, “because he never did that again.”
Pat was always athletic and physically strong. He made his own weight set by pouring lead into flower pots and sticking pipes in the ends. He was always doing pushups. “He could walk on his hands like nobody I’ve ever seen,” Gary said. “He could walk a hundred yards on his hands, no problem. He was a natural when it came to going into the Airborne.”
Pat taught Gary how to box and made him fight every kid in the neighborhood. It was more a sporting event than malicious fighting, and everybody participated. “All the kids in the neighborhood loved him,” Gary said, “especially when he became a paratrooper. He was a hero to us kids.”
He graduated from Castlemont, a big high school in Oakland, then worked for the Pacific Telephone company for a short time before the war. He enlisted at age
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