date
is traditional y said to have been 552 A.D. The magnificent early Bud-
dhist works of art in the seventh century monastery of Hōryū-ji, near
Nara in Japan, are considered to have been produced by Korean sculp-
tors and craftsmen as well as by their Japanese pupils.
It is remarkable how rapidly the transmission of Buddhist teach-
ings over immense distances could take place. For example, the Indian
master of the Vajrayāna school, Vajrabodhi, arrived in China in 720
A.D. His chosen disciple was Amoghavajra (Pu-k’ung), and the lat-
ter’s primary successor was the Japanese Kōbō Daishi (Kūkai), who
returned to Japan at the beginning of the ninth century, where he
founded the Shingon sect. All this (from India, via China, to Japan)
happened within the space of about 80 years.
The Japanese historical periods are shown on the next page.
The priest Kōbō Daishi as a child, Japan, 14th century
Make the practice of Nembutsu[ the invocation of the saving
Name of the Buddha ] the chief thing in life. Lay aside everything
that may interfere with it.
Hōnen
114
An Illustrated Outline of Buddhism
ii. The Japanese Periods
600 B.C.
Foundation of the Japanese Empire by
Jimmu Tennō
600 B.C.-c. 250 B.C.
Jōmon Period
c. 250 B.C.-c. 250 A.D. Yayoi Period
c. 250 A.D.-c. 552 A.D. Kofun Period
introduction of Buddhism
552 A.D.-645 A.D.
Asuka Period
645 A.D.-794 A.D.
Nara Period
645 A.D.-710 A.D. Hakuhō Period
711 A.D.-794 A.D. Tempyō Period
794 A.D.-1185 A.D.
Heian Period
794 A.D.-897 A.D. Jōgan Period
898 A.D.-1185 A.D. Fujiwara Period
1185 A.D.-1333 A.D. Kamakura Period
1333 A.D.-1392 A.D. Nambokuchō Period
1392 A.D.-1568 A.D. Muromachi Period
1568 A.D.-1615 A.D. Momoyama Period
1615 A.D.-1868 A.D. Edo Period
1615 A.D.-1688 A.D. Early Edo Period
1688 A.D.-1764 A.D. Middle Edo Period
1764 A.D.-1868 A.D. Later Edo Period
1868 A.D.-present
Modern Japan
1868 A.D.-1912 A.D. Meiji era
1912 A.D.-1926 A.D. Taishō era
1926 A.D.-present Shōwa era
Japan
115
iii. A Selection of Haiku (Japanese 17-syllable Poems)1
My ears had found the sermon dull and stale;
But in the woods outside—the nightingale!
Masaoka Shiki (1866-1902)
Without a word of warning, look, alone
Above the autumn clouds, Mount Fuji’s cone!
Kamijima Onitsura (1660-1738)
O timid snail, by nature weak and lowly,
Crawl up the cone of Fuji slowly, slowly. . . .
Kobayashi Issa (1763-1827)
Between the washing-bowls at birth and death,
All that I uttered: what a waste of breath!
Kobayashi Issa (1763-1827)
I have seen moon and blossoms, now I go
To view the last and lovliest: the snow.
Rippo (1600-1669)2
1 From A Net of Fireflies ,translations by Harold Stewart (Rutland, Vermont, and Tokyo, Japan: Charles E. Tuttle Company, 1960).
2 Written by the poet on his death-bed. Moon and blossoms are forms. The snow is
pure Substance.
116
An Illustrated Outline of Buddhism
iv. The Sects of Japanese Buddhism
The Japanese masters Dengyō-Daishi (Saichō) (767-822) and Kōbō
Daishi (Kūkai) (774-835) were acquainted with each other, but of dif-
fering perspectives. Both studied in China and both returned to Japan
at the beginning of the ninth century A.D. Dengyō Daishi founded the
Tendai sect, the name of which comes from the Chinese Mount Tien-
t’ai (“Heavenly Terrace”) and Kōbō Daishi founded the Shingon sect,
the name coming from the Chinese Chen-yen (“True Word”).
The Tendai school includes a wide variety of spiritual practic-
es, whereas other schools tend to focus on one or another of them.
Thus Tendai incorporates liturgical rites (which are characteristic of
the Shingon school), “sitting meditation” or zazen (on which the Zen
school lays emphasis), and mantra s such as the nembutsu (of the Jōdo
or “Pure Land” school).
Tendai is known as the school of teaching and study (of the
sūtra s).The Patron of the school is the Bodhisattva known in Japanese
as
Caroline B. Cooney
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