guitarist. Anâ weâre goinâ to need him soon. Eddie wouldnât have wanted the group to die with him. He cared almost as much about it as I do.â
âDo you mind if I ask you a question?â Woodend said.
âSeems to me you slipped in a couple of questions already. But go ahead. Ask me another.â
âWhy do you call yourselves the Seagulls?â
That was clearly not one of the questions Steve Walker had been anticipating. âWhy do you want to know that?â
âJust by the nature of his job, a bobby has to be curious,â Woodend told him. âBut I was curious before I was a bobby. So indulge me.â
âThe kind of music we play started in America,â Steve Walker said earnestly. âBut weâre not just copyinâ the Yanks. The songs we write have a lot of us in them, anâ a good part of what we are is Liverpudlian. If you listen to our songs â I mean really listen to them, get right below the surface â youâll hear the clankinâ of the tram cars, the swish of the river, the hooters on the docks, anâ, most of all, youâll hear the screech of the seagulls, because they were here long before there ever was a Liverpool.â
âYouâre a bit of a poet on the quiet, arenât you?â Woodend said, an amused smile playing on his lips.
âIâm a rockânâroller,â Steve Walker replied. âAnâ one day soon Iâm goinâ to be famous.â
âWell, you donât lack confidence, Iâd say that much for you,â Woodend told him.
âWould you?â Walker countered. âI play my music because I think Iâm good. I wouldnât do it if I didnât. Would you be able to do your job if you didnât think youâd catch the murderers?â
âGood point,â Woodend agreed. âWhy donât you tell me a little bit about your manager.â
âWhy would you want to know about him?â Walker asked, some of his aggression and suspicion returning.
âTruthfully, I want to know about him because, of the four of you, heâs the one I really havenât got figured out.â
Steve Walker laughed scornfully. âYouâve talked to us once, and you think you know us, do you?â
âLetâs just say I can sketch in the broad outlines.â
âGo on, then,â Walker challenged him.
Woodend took a sip of his pint. âBillie Simmons is an easy-goinâ sort of feller. He might like playinâ his drums, but heâd be just as happy drivinâ a bus. Pete Fosterâs a different case altogether. Heâs not very sure of himself, is he?â
âNeither would you be if you had a mother like his.â
âWhatâs that supposed to mean?â
âNothinâ. Forget I ever spoke.â
âPete doesnât like trouble, because heâs never quite convinced heâll come out on top,â Woodend continued. âAnâ he needs to get approval â youâve only got to see the way he acts around your manager to realise that.â He paused. âHow am I doinâ so far?â
âNot bad,â Steve Walker admitted grudgingly. âWhat can you tell me about me?â
âI think youâre drawn to victims,â Woodend said. âEddie Barnes may have become your best mate, but the main reason you got to know him in the first place was because he needed your help. Anâ Iâm willinâ to bet that heâs not the only one youâve protected over the years.â
Steve Walker was beginning to look distinctly uncomfortable. âYouâre makinâ me sound like a saint,â he said awkwardly.
âNo, not a saint,â Woodend replied. âJust a lad who needed help himself at one time â and didnât get any.â
Walker gave him a hard, assessing stare. âYouâre not stupid, are you?â
âSometimes I do manage
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